I've made no secret of the fact that I like zombies. There's something about them that just appeals to me on a (ahem) visceral level. Maybe it's the confluence of post-apocalyptic social dynamics with the pure uncanny terror of seeing the dead come back to life (especially the reanimated corpses of your friends and family). Admittedly that sounds a little weird when I type it out like that, but when the zombie genre is done right it explores themes of desperation, loyalty, resilience, theology, and triumph and tragedy alike. It's just such fertile grounds for examining the human condition. Moreover the idea of great masses of people suddenly becoming mindless killers is a concept that seems to gain more figurative weight with each passing day.
All that said, the zombie genre is one that has also frustrated me in recent years. The market is, without a doubt, over-saturated with the undead (that's almost ironic), and as a result there's just so much cash-grab crap to sift through that the good stuff seems increasingly few and far between. The Walking Dead TV series, for example, was among the great disappointments in the fall. Despite the involvement of Frank Darabont and the potential displayed in the pilot, the show's narrative meandered about without really accomplishing anything until the finale. At that point it pulled a thematic 180 that left me cold, and frankly I don't much care if or when it comes back. A new series in one of my favourite genres made by a film maker who I hugely respect, and they managed to lose me within six episodes. Not a good sign.
Sidebar: I really should do a piece on how great The Mist is...
I don't want to sound completely negative, there have been some great zombie flicks in the last few years. As I wrote in 2009, Zombieland was great fun, and took a new spin on the satirical side of zombies. Also the British mini-series Dead Set, while not necessarily bringing anything new to the table, proved that the genre still has some legs in terms of social metaphor. The series depicted a zombie apocalypse from the perspective of the cast and crew on a season of Big Brother. Turning the lens on reality TV made for some great fun, but the true appeal of Dead Set was in its high production values and fearless approach to narrative. Seriously, for a good old scary time watch the entire series in one go, it's not much longer than a feature film and definitely worth the time.
But all of this is just to get to the reason for the post: the trailer released today for the upcoming game, Dead Island. It feels slightly, well, icky to dedicate an entire post to a marketing promotion, but this trailer is worth it. I found it over at Kotaku, and they called it "The Most Heartbreaking Zombie Vieo Game Trailer You'll Ever See." By no means an understatement, but I think Joystiq does it better when they say that with this trailer the game goes from "completely off our radar" to "has complete dominion over our minds." That does sum up the effect nicely. But don't take my word for it, give it a look yourself:
Now that's how you market something about zombies. Gore, pathos, tragedy, desperation, it's all there! They even go so far as to show the violent death of a child in a marketing tool! Twice, technically. Dead Island now has my full attention by virtue of its excellent trailer alone. This video is the best thing to happen to the zombie genre in years, and if the game can live up to even half the potential seen here then we'll all be in for a real treat this fall.